top of page

______________Tangible

S P A C E_edited.png

Limed: fermented, not forgotten

I had a couple of aesthetic experiences with limes recently,
the first having spent a good amount of time in a fridge, the second in Sangria.
here, in their distinct graces . . .

The fullest words are woven with silence.

What makes a letter? 
The height, breadth of strokes?
Or the area that surrounds it?

Naturally, they need one another. 
The Nothing that hugs every vulnerable edge of the Something, giving it form. 
Yet how often are we mindful of that space . . .

                                      of silence           ?

Our world brims with things. Unless we’re cognizant of the pause               between the stuff
we’re left with something not worth reading—
                                      illegible chatter

 


We need space to break up the monotony of form.

 


What if we could learn to focus on that space?
 
How might our perception of the world change? 

What might we find?

madman1.jpeg

I drew a bit of all of us in him

the man on the train
regarding no thing in particular
but with a melancholy air

and noticing he couldn't see me — or didn't —
i sketched him

beneath a heavy brow, which he couldn't fully know
some light.

planes of apple_edited.jpg

Planes of an apple tree

I fancied an apple tree, in another dimension [between here and there]

watercolor.jpeg

beneath_


 

beyond_


 

and we_
 


                    deep
                    muddled
                    chaos


                    fine
                    direct
                    serene


                    Ouroboros
                    entropy
                    infinitude

nude.jpeg

dreamer

neither here nor there

music_edited.jpg

Melody medley

once String got involved, the arrangement of pins formed a charming constellation,
which parallels, and supports, its toppling musical counterpart —
the juxtaposition complements this "cosmic harmony".
bottom of page